Table of Contents
Related Manuals for Sony NEX-FS100
Summary of Contents for Sony NEX-FS100
- Page 1 Handbook...
- Page 2 The freedom to be professional...
- Page 3 Chapter 1 Contents Chapter 2 Chapter 3 Chapter 4...
- Page 4 Chapter AE SHIFT for automatically shooting video a little brighter or darker ■ ■ Comparison Chart for LA-EA1 and LA-EA2 (When used with NEX-FS100) LEVEL = –2.0EV LEVEL = 0EV LEVEL = +2.0EV ➞ ➞ AUTO EXPOSURE (AE) function lets you ➞...
- Page 5 WB OUTDOOR LEVEL (white balance outdoor level) for controlling an image’s color tone with white balance ■ ■ One Push White Balance lets you capture ■ white subjects as white WB OUTDOOR LEVEL = +7 ➞ ➞ ➞ ➞ ➞ ➞...
- Page 6 ■ How to control and use bokeh effect Focus is on the candle in back Focus is on the candle in front ■ ■ ■ ■ ■ ■ ■ ■ High-level bokeh effect ■ ■ Soft image Hard image with clear outlines Low-level bokeh effect ■...
- Page 7 Relationship between depth of field and iris value Shot using maximum iris at F1.4 Shot using minimum iris at F22 (35mm F1.4G (SAL35F14G)) (35mm F1.4G (SAL35F14G)) Relationship between depth of field and iris setting Shot with 35mm focal length and Shot with 50mm focal length and Shot with 85mm focal length and maximum iris F1.4...
- Page 8 Relationship between depth of field and shooting distance Controlling depth of field Using the iris ring MANUAL IRIS ring IRIS PUSH AUTO Controlling shutter speed...
- Page 9 Shooting near maximum iris by using ND filter Round, glass screw-in type ■ Obtaining appropriate exposure using gain adjustment Square glass type ■ Sheet type ■ GAIN SET for adjusting gain value ➞ ➞ ➞ ➞ AGC (automatic gain control) LIMIT lets you set maximum auto gain to the value of your choice ■...
- Page 10 ■ ZEBRA ASSIGN lets you check whether the brightness level for the subject is appropriate ■ PUSH AUTO button ➞ ➞ ➞ ➞ EXPANDED FOCUS makes it easier to check focus in the LCD screen/ large LCD viewfinder HISTOGRAM lets you know your image’s overall brightness balance ➞...
- Page 11 Lens types LA-EA2 Carl Zeiss Compact Prime E-mount lens E-mount lens lineup ■ A-mount lenses Carl Zeiss Lens G Lens Nikon F Canon FD Leica M Pentax Zoom Lens Fixed Focal Length Lens Konica Minolta MD Olympus Contax/Yashica Leica R...
- Page 12 How to mount a lens and things to look out for ■ ■ ■ ■ ■ ■ Sliding plate With E-mount lens With LA-EA1 or LA-EA2 & A-mount lens With third-party lens Flange back distance Lens supporter...
- Page 13 Chapter SMOOTH SLOW REC button NTSC model PAL model ■ ■ ■ START/STOP button ➞ Slow motion ➞ ➞ ➞ ■ ■ Quick motion S&Q button ➞ ➞ ➞...
- Page 14 ➞ ➞ ➞ Recording on memory card and HXR-FMU128 simultaneously ➞ ➞ ➞ ➞ AJA Ki Pro Mini Flash memory unit HXR-FMU128 is designed to be inserted into the camera. Example of setup with Recording time NEX-FS100 Convergent Design nanoFlash...
- Page 15 ATOMOS Ninja / Samurai Screw holes 3/8" Screw x2 Example of how a follow focus system from GENUS is installed. Slide 1/4" Screw x2 Body Handle Attaching an external portable monitor...
- Page 16 ➞ ➞ ➞ TC RESET button ➞ ➞ ➞ ➞ ➞ RMT-845 remote control unit TC RESET button...
- Page 17 Chapter Information essential for making the most of PICTURE PROFILE PICTURE PROFILE button Difference from image processing using nonlinear video editing software Video Gamma = 1/2.2 = 0.45 Output CRT Gamma = 2.2 Input What to do on the scene How a gamma curve’s shape influences images...
- Page 18 What is knee correction? DETAIL Detail = OFF Detail = ON Output Input Luminance Luminance Without Knee function With Knee function Color Space Using PICTURE PROFILE presets ■ PP1, PP2: PP3: ■ ■ PP4: ■ PP5: PP6: ■...
- Page 19 BLACK GAMMA GAMMA RANGE: LEVEL: ■ ■ ■ STANDARD: CINEMATONE1: ■ CINEMATONE2: ■ ■ ITU709: COLOR MODE High ■ STANDARD: Middle ■ CINEMATONE1: CINEMATONE2: ■ ■ PRO: ITU709 MTX: ■ ■ LEVEL: BLACK GAMMA (+7) –7 BLACK LEVEL BLACK GAMMA (0) BLACK GAMMA (–7)
- Page 20 KNEE COLOR LEVEL Video signal White clip point output (%) MODE ■ ■ Knee slope (– ) ■ Knee point(+) AUTO SET ■ ➞ ➞ ■ COLOR PHASE Knee point Luminance (%) ➞ ■ COLOR DEPTH ■ MANUAL SET ➞ ■...
- Page 21 DETAIL ■ ■ ■ V-DETAIL H-DETAIL ■ ■ ■ ■ DETAIL / OFF DETAIL / ON ■ ■ ■ BLACK LIMIT WHITE LIMIT ■ ■ ■ ■ · ■ · ➞ ■ O N : ■ · ■ OFF: ■ ·...
- Page 22 WB SHIFT ➞ ■ ➞ ■ LB (COL TEMP): ■ CC (MG/GR): FILTER TYPE R-B (R=+9) Original LB– FILTER TYPE R-B (±0) Original FILTER TYPE R-B (B=+9)
- Page 23 FFS100 PP Settings (for matching color tone with Canon 5D MK’s PictureStyle=Standard setting) 5D Mark II Picture Style: Standard PMW-F3 Default Setting FS100 PP Settings (for matching color tone with Sony PMW-F3’s Picture Profile=Off setting)